I know its been a minute since I have updated my blog here.

Check out my recently releases. So far “Nightlife” has had excellent radio play and crowd feedback. Be sure to check it out.

Colors (Melodic / Columbia)

The Mau5 has decided it was time to collaborate again with Chris Lake, for a new cut called ‘I Said.’ The results are in the audio form of a massive tech house monster, complete with plenty of peaks and valleys, booming bass and big room sounds. ‘Michael Woods’ provides the remix, which has become the first Essential New Tune for 2010 on Pete Tong’s radio show. You know you want this!
Deadmau5 | Chris Lake | mau5trap

DJ Hell’s ‘U Can Dance’ is an interpretation of an unreleased Bryan Ferry (Roxy Music) song, but it’s one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other. On ‘U Can Dance’, Hell and Ferry have similarly pulled out all the stops for the remixes, gathering up work from the Grammy-nominated producer Carl Craig, DFA mainstay Tim Goldsworthy and pop electro superstars Simian Mobile Disco. It’s absolutely awesome.
DJ Hell | Bryan Ferry | International DeeJay Gigolo Records

Hatiras pulls a few strings on this early acid house classic and includes an original remastered version for his Hatrax label. A pumpin’ set of mixes from house to electro with; Hoxton Whores, DJ Bam Bam, The Fresh Guys and Hatiras himself. Add a fresh dose of classic acid house to your set with one of these hot new mixes!
DJ Fast Eddie | Kenny ‘Jammin’ Jason | Hatrax Records

After dropping ‘Killertone’ the brotherhood who go by the name of Ernesto vs Bastian drop another contender for big room mayhem. ‘Hailing From New York’ has that unique fresh groove what makes that Ernesto vs. Bastian sound so loved by the many. Coming at 2 different versions the song is built around that big dreamy yet full on hands-in-the-air breakdown. Road tested by the boys themselves it’s now time to unleash this beast.
Ernesto & Bastian | High Contrast Recordings

Hot from his immensely popular ‘Jungle Laps’ track on John Digweed’s Bedrock 11 LP, Marco Bailey is about to cause a major commotion with this stunning new 4-track EP. ‘Watergate’ is a diverse EP full of wonderful techno styles, including a classic nod to the big room looped disco vibes (Filter Bitch). It’s refreshing to hear some proper big room, high octane techno music, and this release is a shining example of the magic in the energy.
Marco Bailey | Bedrock Records

‘Blending With The Ether’ is a collaborative effort between Anthony Pappa and two of Australia’s biggest names in progressive music over the last decade, Phil K and Danny Bonnici. The track features a commanding Mandolin that stands firmly next to a simple bassline and techy percussion. Now with remixes from Nomad In The Dark and Andy Newland & Oscitone, ‘Blending With The Ether’ is looming large in club land with support from some of the world’s most discerning disc selectors.
Danny Bonicci | Anthony Pappa | Audio Therapy

‘Glow’ is through and through a perfect example of what Eric Prydz can do when he wants to make no holds barred techno. Fantastic oriental samples and the biggest build up we’ve heard in ages describe the cut, which is already gaining monumental support from Pete Tong. For an added bonus, Sebastien Leger provides a remix of the chart topping ‘On/Off’ for the b-side, which is equally as massive as the original version itself.
Cirez D | Mouseville

Yes, the chart topping smash hit ‘Whoomp - There It Is’ has returned, in the form of a redone version from Doodge & Viper. The Miami-bass anthem has been a mainstay in clubs since the mid 90s, and the new and updated mixes will ensure it returns and sticks around for some time. With the legendary vocals intact, Doodge & Viper retain the original bass shakin’ elements from the original, with some additional electro house flair.
Tag Team | Doodge & Viper | Tiger Records

EDX’s mastery of chord changes and atmospheric pads creates a dance floor winner with ‘Party Of Politics’. House music legend Pete Heller’s remix is a haunting slice of main room action with subtle chord changes and a rolling groove. The Mark Mendes remix leans toward that ‘Mannheim’ sound, with a prominent rolling bass line, heavy on percussion and excellent use of the filter. Finally, Pete Griffiths steps up to the plate making good use of the vocal and original parts to create an intense euphoric remix.
EDX | Toolroom